IQ Quarry Garden lives on after RHS Chatsworth

Cotswold designer Paul Hervey-Brooke’s award-winning IQ Quarry Garden has found a new home at the National Memorial Arboretum. He talks about the challenge of moving a garden and the responsibility of designing for the future.

Paul Hervey-Brookes’ re-imagined IQ Quarry Garden may not be facing the scrutiny of RHS judges but he is just as nervous about how it’s received.

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The IQ Quarry Garden won top honours at RHS Chatsworth

The garden, which won gold, Best in Show and Best Construction at RHS Chatsworth, has been re-designed for a site at the National Memorial Arboretum in Staffordshire, giving it a life span far beyond the norm for a show garden.

“It’s one thing to win the medals we did at Chatsworth but it’s another thing to have a garden that you know has the potential to be there for two or three generations,” he says. “There’s a weight of responsibility knowing generations of designers will be judging my work.”

IQ Quarry Garden
Paul Hervey-Brookes

The move to the NMA is fitting as the garden was commissioned to celebrate the centenary of the Institute of Quarrying and the arboretum is on the site of a former sand and gravel quarry. Yet, despite the move being planned from the outset, the garden’s future use did not influence Paul’s design for the inaugural Chatsworth show.

“What I wanted from the start was that we would re-purpose it rather than just plonk it down brick by brick.

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The new garden occupies a long, narrow site.

Indeed, the two sites could not be more different. The Chatsworth garden was a large rectangle – one of the biggest RHS show gardens ever built – whereas the new space is a long, narrow and sloping piece of land.

“I was really keen to use a site that nobody else wanted,” explains Paul, who was awarded an Honorary Fellowship by the IQ for his work, the first person not involved in the industry to be given the Institute’s top honour.

Taking key elements of the original garden, including paving, seats and the striking rusted wall by Stroud sculptor Ann-Margreth Bohl, his aim was to create something that gives an emotional break between memorial gardens.

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The striking sculpted wall is one of the elements that has been reused.

“It’s so that it’s not one very emotionally consuming garden space after another. It is much more an area to sit, think and rest or just walk through.”

While the planting follows the same semi-naturalistic style of the Chatsworth project, there is far more of it, and wide grass paths and level hard landscaping mean it is accessible for those with reduced mobility.

Reusing show gardens is preferable to their otherwise rather brutal demise in skips but it does come at a cost.

“It makes it really expensive,” says Paul. “Once you know things are going to be re-purposed you’ve got to be as careful taking them out as you were putting them in, which is time-consuming and costs a great deal more.”

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The IQ’s motto: ‘the fruits of the earth for the children of men’.

Much of that cost has been looking after the plants since the Chatsworth show in June. The hard landscaping was stored near the NMA but the trees and plants went back to their original nurseries to be repotted and grown on.

“The nurseries don’t really like doing it simply because they know the stress the plants go through. They really need to go in the ground after the show and be allowed 18 months to recover. Trying to nurture them back into looking good at the end of the year is quite a challenge but it was all part of the deal.”

Meanwhile, Paul called in the same construction team, headed by Gareth Wilson, to rebuild the garden: “I thought it was important to have the same contractor who understood the lifting and shifting the first time around to see the project through to the end.”

IQ Quarry Garden

It’s not the first time the Stroud designer’s work has found a new home. His first Chelsea garden was won in a competition and is now installed at a house in Hemel Hempstead while plants from his two Chelsea gardens for online fashion retailer BrandAlley were sold for charity and the hard landscaping given to community projects.

“I don’t think the physicality of a show garden is important at all but it’s really important that stuff is reused because otherwise it’s an incredibly wasteful kind of journey.”

RHS Chatsworth 2017: a soggy start

There’s no way of softening the conclusion that yesterday’s press day at RHS Chatsworth was quite simply a washout. Torrential rain was bad enough, turning parts of the ground into a swamp but high winds forced organisers to close the show early.

Was it the right decision? Yes, definitely. The Floral Marquees – split into two either side of an inflatable replica of Paxton’s Great Conservatory – closed just hours after the event began, such were safety concerns. Big wooden signs were laid on the grass as a precaution, the press tent was shaking ominously in the wind and I saw a large metal barrier blown over.

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Dressed for the weather – the Duke and Duchess of Devonshire talking to designer Paul Hervey-Brookes

Still, on the first day of this new RHS show it was hugely disappointing for everyone involved and meant I saw but a small part of what is on offer. Like many others, I had opted to walk around the show gardens first, as the forecast for later in the day was worse. I did get to all of them but it meant that with only three hours at the show I saw little of the experimental Free Form installations and nothing of the nursery stands, well dressing or RHS exhibition on gardening in a changing climate – ironically named in the circumstances. It was also difficult to fully appreciate or photograph the gardens when they were being battered by the wind and rain.

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The IQ Quarry garden has stark lines . . .
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. . . set against soft planting

Obviously, in such circumstances it’s difficult to fully assess this latest addition to the RHS line-up. However, there seems little doubt that it has potential.

The setting with the backdrop of Chatsworth House and its parkland is beautiful, although there was a feeling it hadn’t been exploited to the full, possibly due to restrictions on what could be dug up.

Many of the show gardens are difficult to photograph as any shot seems to include the bright white marquees, trade stands or food outlets; this is something that RHS Malvern has finally got right in recent years with the gardens sited on the showground so that the hills form a natural backing.

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The hot end of the Palladian Bridge

The Palladian Bridge, stunningly dressed by celebrity florist Jonathan Moseley and his team, frames not the house, but looks towards what seems to be a rear entrance at one end and the ‘Great Conservatory’ at the other; the latter divided opinion on press day with one person describing it to me looking like an overgrown bouncy castle. Having not managed to get inside, I couldn’t really decide its worth but pictures I’ve seen suggest it is striking.

So, what of the things I did see? Naturally, I headed first for the garden of Cotswold designer Paul Hervey-Brookes who heard this morning that he had won gold, Best in Show and Best Construction.

Designed for the Institute of Quarrying, it was envisaged as a garden for a professional couple and inspired by the life of a quarry.

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The IQ Quarry garden is one of many with a water feature

As such, it is a garden of contrasts: soft planting, so typical of Paul’s style, set against angular rock and concrete.

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Cool grey set off many plants on the garden . . .
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. . . including foxgloves

Foxgloves and elder, are framed against grey, rocks are set into planting and a striking sculpture by Stroud artist Ann-Margreth Bohl, makes a dramatic end piece.

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A dramatic end to the IQ Quarry garden

Indeed, plants silhouetted against hard landscaping seemed to be a theme of the show as did water – and not just from the sky.

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Stone sets off aeonium in the Wedgwood garden
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More water this time on the Cruse Bereavement Care garden

The Cruse Bereavement Care garden is set around a central wall-enclosed seat area, with a long rill running through the garden.

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The sheltered seat was welcoming

On a grey day, the yellow lupins stood out and the curved seating area offered a welcome retreat.

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For me, the highlight of the Wedgwood Garden was the ‘windows’ that gives glimpses of the garden. There’s loose planting in shades of blue and yellow with splashes of red, and a long canal of water. It is just a shame that the main window also ‘looks out’ onto a restaurant.

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One of the ‘windows’ on the garden

There are good ‘take home ideas’. Tanya Batkin’s Moveable Feast garden cleverly showcases how mobile planters can be used to create a garden anywhere.

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Moveable containers and a great green roof on a store cupboard

Aimed at ‘Generation Rent’, it demonstrates how fruit, veg and flowers could transform an area of paving, while the large containers are on wheels to make them easy to move around.

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Meanwhile, Butter Wakefield has produced a dreamy idyll with the Belmont Enchanted Gardens with wild flowers and vegetables, grown at Belmond Le Manoir aux Quat’Saisons.

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Butter Wakefield’s idyllic retreat

Jackie Knight has created an informal water and rock garden to celebrate her silver wedding and the 25th anniversary of her first show garden. Aptly, given the conditions at Chatsworth, it was called ‘Just Add Water’.

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Jackie Knight’s garden
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I liked the way Jackie picked out the colour of the hammock in the planting

And Jonathan Moseley follows his success at RHS Malvern with another stunning display of how fresh flowers can transform a space. The Palladian Bridge takes visitors from cool greens and whites through a rainbow of colour to fiery shades of red and orange, while a willow snake – based on the Cavendish coat of arms – slithers through the display.

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RHS Chatsworth 2017 runs until Sunday June 11. For more details, visit the RHS